Our weekly roundup of things in theaters begins at
Northwest Film Forum with the must be seen to be believed and enjoyed
RUBBER. We've recommended it a few times over on our
Facebook page but if you don't believe us, take Paul Constant at
The Stranger's word for it, "If your a fan of any of the following--Hal Hartley, horror films, Samuel Beckett, old Warner Bros. Road Runner cartoons, or Kurt Vonnegut--then you must see this movie." You'll never dare make a tire angry again. NWFF also has
EMPTY QUARTER, a documentary portrait of the landscape, history, and people in three counties in rural Oregon. Directors Alain LeTourneau and Pam Minty will be in attendance on Saturday.
Trader Joe's SILENT MOVIE MONDAYS continues at the
Paramount with
SPEEDY, which was Harold Lloyd's last silent film. As always, the film has live accompaniment by Jim Riggs on the Mighty Wurlitzer organ.
SIFF Cinema celebrates the work of director
Danny Boyle with a weekend of solid double features--
TRAINSPOTTING and
28 DAYS LATER on Friday,
MILLIONS and
SHALLOW GRAVE on Saturday, and
STRUMPET/VACCUMING COMPLETELY NUDE IN PARADISE with
SUNSHINE on Sunday. The Boylemania is centered around screenings of National Theatre Live Boyle's recent production of
FRANKENSTEIN starring Jonny Lee "Sick Boy" Miller and Benedict "Sherlock" Cumberbatch. They'll trade playing the roles of Victor and The Creature for Saturday and Monday's shows.
Central Cinema's week begins with two of my favorite films--Alexander Mackendrick's
THE SWEET SMELL OF SUCCESS and Wes Anderson's
RUSHMORE. BadMovieArt returns on Monday with Michelle Pfieffer in
GREASE 2 (it's like
GREASE but with more Adrian Zmed)
. Tuesday has IFC Midnight's
CHOOSE; there's another installment of
FAVORITES on Wednesday when Sylvia O'Stayformore presents
THE STEPFORD WIVES (original not remake, duh); and Thursday brings an encore of the popular
90's SING-A-LONG. Lastly, our good friends at
Grand Illusion Cinema present
HERSCHELL GORDON LEWIS: THE GODFATHER OF GORE, (TRAILER NSFW) a documentary on exploitation film pioneer by Jimmy Malson and
friend-of-the-store Frank Henenlotter. If you're unfamiliar with Lewis' body of work, be warned his films are
NOT for the squeamish. We recommend you visit Lewis' shelf in our Director's section and see how your stomach reacts to the cover art before you watch any of them. But it's required viewing for fans of modern day bloody horror films. Herschell Gordon Lewis' 1963
BLOOD FEAST (again, TRAILER NSFW or POST-LUNCH viewing), considered the first real splatter film, is in the Late Night viewing spot. Happy viewing to all.